Place for Us: Essay on the Broadway Musical D. A. Miller (Author)
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Gay
It used to be a secret that, in its postwar heyday, the Broadway musical recruited a massive underground following of gay men. But though this once silent social fact currently spawns jokes that every sitcom viewer is presumed to be in on, it has not necessarily become better understood.
In Place for Us, D. A. Miller probes what all the jokes laugh off: the embarrassingly mutual affinity between a "general" cultural form and the despised "minority" that was in fact that form's implicit audience. In a style that is in turn novelistic, memorial, autobiographical, and critical, the author restores to their historical density the main modes of reception that so many gay men developed to answer the musical's call: the early private communion with original cast albums, the later camping of show tunes in piano bars, the still later reformatting of these same songs at the post-Stonewall disco. In addition, through an extended reading of Gypsy, Miller specifies the nature of the call itself, which he locates in the postwar musical's most basic conventions: the contradictory relation between the show and the book, the mimetic tendency of the musical number, the centrality of the female star. If the postwar musical may be called a "gay" genre, Miller demonstrates, this is because its regular but unpublicized work has been to indulge men in the spectacular thrills of a femininity become their own.
- Rank: #976803 in Books
- Published on: 2000-09-01
- Original language:
English
- Number of items: 1
- Dimensions: 7.95" h x
.35" w x
5.12" l,
.37 pounds
- Binding: Paperback
- 160 pages
- ISBN13: 9780674003880
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Description #1 by Etsy - Seller:
Unique Kindle Fire/Kindle 3 RooKCasE "There's No Place Like Home" NEW
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The Wonderful Wizard of Oz is a children's novel written by L. Frank Baum and illustrated by WW Denslow. Originally published by the George M. Hill Company in Chicago on May 17, 1900, it has since been reprinted numerous times, most often under the name The Wizard of Oz, which is the name of both the 1902 stage play and the 1939 film version. The story chronicles the adventures of a young girl named Dorothy Gale in the Land of Oz, after being swept away from her Kansas farm home in a storm. Thanks in part to the 1939 MGM movie, it is one of the best-known stories in American popular culture and has been widely translated. Its initial success, and the success of the popular 1902 Broadway musical which Baum adapted from his original story, led to Baum's writing thirteen more Oz books. The original book has been in the public domain in the US since 1956. (source wikipedia)
Book-style cases are not new to the market but we felt that they were lacking in the style department. We set out to design a new case combined with our love of vintage and used books, thus creating up-cycled RooKCasEs. It is just a matter of time before that the traditional paper and ink book is replaced by eReaders, and we are attempting to preserve some of the nostalgia before it all goes away.
There is something to be said for the old school hardcover books, they are solid in your hands, and they have a certain feel and smell. So when we take an old book and turn it into an iPad or Kindle case, it tells a story about the owner. Our motto is We don't make cases, we make conversations for a reason.
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Description #2 by Etsy - localcolorist:
Permanent origami peace crane ornaments, cake toppers, party favors, place card holders
by Nancy McNally from San Francisco
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Eve Ensler (born May 25, 1953) is an American playwright, performer, feminist and activist, best known for her play The Vagina Monologues
Eve Ensler's newest work, I Am An Emotional Creature: The Secret Life of Girls Around The World, a collection of original monologues about and for girls that aims inspire girls to take agency over their minds, bodies, hearts and curiosities, was released February 2010 in book form by Random House and made The New York Times Best Seller list. The book was workshopped in July 2010 at New York Stage and Film and Vassar College, moving towards an Off-Broadway production.
The theatrical production of the piece, titled Emotional Creature, will have its United States debut at the Berkeley Repertory Theater in Berkeley, CA in June 2012.
In February 2012, The South African production of Emotional Creature was nominated for a 2011 Naledi Theatre Award for Best Ensemble Production/Cutting Edge Production.
Ensler is a prominent activist addressing issues of violence against women and girls. In 1998, her experience performing The Vagina Monologues inspired her to create V-Day, a global activist movement to stop violence against women and girls. V-Day raises funds and awareness through annual benefit productions of The Vagina Monologues. In 2010, more than 5400 V-Day events took place in over 1500 locations in the US and around the world. To date, the V-Day movement has raised over $80 million and educated millions about the issue of violence against women and the efforts to end it, crafted international educational, media and PSA campaigns, launched the Karama program in the Middle East, reopened shelters, and funded over 12000 community-based anti-violence programs and safe houses in Democratic Republic of Congo, Haiti, Kenya, South Dakota, Egypt and Iraq. These safe houses provide women sanctuary from abuse, female genital mutilation and honor killing.The 'V' in V-Day stands for Victory, Valentine and Vagina.
In February 2004, Ensler, alongside Sally Field, Jane Fonda and Christine Lahti, protested to have the Mexican government re-investigate the slayings of hundreds of women in Ciudad Juarez, a city along the Texas border.
Ensler is a very close supporter of the Revolutionary Association of the Women of Afghanistan (RAWA) and went to Afghanistan under the rule of the Taliban. She supports Afghan women and has organized many programs for them. She organized one event named the "Afghani Women's Summit For Democracy".
Ensler has led a writing group since 1998 at the Bedford Hills Correctional Facility for Women, which was portrayed in What I Want My Words To Do To You.[10] Judy Clark, Kathy Boudin, and Pamela Smart were among the writing group's participants featured in the film.
In 2011, V-Day and the Fondation Panzi (DRC), with support from UNICEF, opened the City of Joy, a new community for women survivors of gender violence in Bukavu, Democratic Republic of Congo (DRC). City of Joy will provide up to 180 Congolese women a year with an opportunity to benefit from group therapy; self-defense training; comprehensive sexuality education (covering HIV/AIDS, family planning); economic empowerment; storytelling; dance; theater; ecology and horticulture. Created from their vision, Congolese women run, operate and direct City of Joy themselves. The City of Joy celebrated its first graduating class in February 2012.
http://en.wikipedia.org/wiki/Eve_Ensler
EMOTIONAL CREATURE
written by eve ensler
directed by jo bonney
music and music direction by charl-johan lingenfelder
special presentation | roda theatre
june 14july 15, 2012 calendar
world premiere at the Berkeley Repertory Theater
http://www.berkeleyrep.org/season/1112/5846.asp
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I offer you the opportunity to have a peace crane fashioned out of your love letters,maps,logos or photocopied images on paper you or I provide.
Mobiles made of these cranes are a favorite way to display these cranes. A flock of birds or several birds are charming, with an arrangement of birds hung on branches, in a beautiful vase.
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Hard glazed for keepsake collecting; jewel and wire attached for hanging; custom orders encouraged for table top and party decorations. size: 3" X 6" Extra stock is available for all the cranes shown in this store. Click on thumbnails to see alternative cranes available, and contact me.
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Description #3 by LangtonInfo.com:
In an illuminating study by turns autobiographical, critical, and testimonial, the author sheds light on the affinity of gay men for the Broadway musical, especially in its postwar heyday, locating the musical's appeal in its celebrating of femininity and theatricality. UP.
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